Festival stage for up to 5000 Capacity
Consisting of the following
Staging
8m x 6m Trailer Stage
or
10m x 6m Trailer Stage (£500 extra)
Sound
20 x dB Technologies T12 3000W Line Array Module
10 x dB Technologies S30n 3000W RMS Twin 18 Subwoofer
2 x dB Technologies Sigma 118 Subwoofer
2 x dB Technologies Sigma 115 2 Way Speaker
6 x 15inch Low Profile 1000w Stage Monitor
1 x Matrix 6 way Monitor Amplifier Rack
1 x Allen & Heath dLive S5000 inc Mixrack
1 x Allen & Heath SQ-7 Digital Mixer
1 x Festival band Mic package
Lighting
8 x ADJ Vizi Beam 5RX
6 x ADJ Inno Color Beam Z19
8 x ADJ 18P Hex Wash Light
8 x LEDJ Pixel Storm 12 Quad Batten MKII
4 x Chauvet Strike 4 Blinders
2 x Martin Atomic 3000 Strobe Light
1 x ADJ Entour Haze Pro
Transport & Crew
4 x Rig / De-rig Crew
1 x Lighting Engineer
2 x Sound Engineer
1 x Stage Technician
1 x Transportation (Milage Dependent)
Optional Extra's
As required, please enquire.
Power generators
LED Screens
Backline
Stage FX
FOH Tent
Mojo Barriers
Cable guards etc
By entering into this hire agreement you are accepting our Terms and Conditions of the Hire upon receipt of goods and/or services from SBS Audio Visual.
Receipt includes arrival of equipment and/or staff on an event site, whether the customer is present or not. All equipment hired remains the property of SBS Audio Visual Ltd at all times.
Payment by the Customer on time under the Contract is an essential condition of the Contract. Payment shall not be deemed to be made until SBS Audio Visual has received either cash or cleared funds in respect of the full amount outstanding. If the Customer fails to make any payment in full on the due date we may charge the Customer interest on the amount unpaid at the rate of 8% implied by law under the Late Payment of Commercial Debts (Interest) Act 1998.
The Customer shall pay all sums due to the Supplier under this Contract without any set-off, deduction, counterclaim and/or any other withholding of monies.
The Hirer accepts full responsibility to SBS Audio Visual for loss or damage to or destruction of the equipment suffered during the period of hire from whatever cause the same may arise and is fully responsible for the safekeeping of the equipment and its return in equal order to SBS Audio Visual at the end of the hire.
The Hirer accepts all liability & responsibility in respect of & shall & completely indemnify SBS Audio Visual against all third party claims & losses howsoever arising in respect of damage to or loss or destruction of any property or in respect of the personal injury or death of anybody in any way caused by or relating to the equipment or its use.
8m x 6m Mobile Outdoor Trailer Stage
dB Technologies T12 3000W Line Array Module
dB Technologies S30n 3000W RMS Twin 18 Subwoofer
dB Technologies Sigma 115 1000W RMS 2 Way Speaker
dB Technologies Sigma 118 1400W RMS Subwoofer
Allen & Heath dLive S5000 Control Service
Allen & Heath SQ-7 Digital Mixer
15inch Low Profile 1000w Stage Monitor
Matrix 6 way Speaker / Monitor Amplifier Rack
ADJ Vizi Beam 5RX
ADJ Inno Color Beam Z19
LEDJ Pixel Storm 12 Quad Batten MKII
Chauvet Strike 4 LED wash
Martin Atomic 3000 Strobe Light
ADJ Entour Haze Pro
8m x 6m Trailer Stage
Small to Medium Sized Music Festivals
A great looking 8 x 6m mobile outdoor stage system available to hire for small to medium sized events were set up, de rig times and costs are limited.
If you are planning an event and need an outdoor mobile stage to hire then look no further, our mobile trailer stages are quick and easy to set up and look impressive.
Dimensions as a stage: 8 m x 6 m x 5 m (L x W X H)
Stage area: 48 m2
Height of stage floor: 1,0 - 1,3m
See Specs tab for more details
Technical data | |
Type of roof | profiled |
Dimensions as a stage | 8,0 m x 6,0 m x 5,0 m |
Dimensions as a trailer | 9,4 m x 2,46 m x 3,6 m |
Way of lifting the roof | manual-hydraulic or electric-hydraulic |
Way of leveling the stage floor | manual or electric-hydraulic |
Permitted total weight | 2500 kg |
Stage area | 48 m2 |
Height of stage floor | 1,0 - 1,3 m |
Stage floor | slip proof, weather proof |
Roof capacity | 300 kg - uniformly on each arch - total 1200 kg |
Floor capacity | 3,5 kN/m2 (ok.350 kg/m2) |
Quadrosystem pillars load capacity | 50 kg |
Flying Towers load capacity | 500 kg (in the middle point) |
Max. wind speed | windzone 1 - 3 excepting the 5 km wide coastal areas and the islands of the North Sea and the Baltic Sea:. max 17.8 m/s with the back and sides cover and max 30 m/s without covers |
Max. tickness of snow on the roof | mobile stages should be used only in periods in which there is no snow, unless the snow is effectively removed, eg. by installing the appropriate heating devices |
Canopy | PCV certified material (flame resistant) |
Scrim | A203 (black) |
Installation time | 60 min (2 people) |
DVA T12 features state-of-the-art neodymium speakers and high-performance DIGIPRO digital amps with total of 1,410W output power.
In combination with top-drawer DSP and premium quality AD-DA converter, it delivers high-definition sonic images with massive SPL for large sound reinforcement applications.
Acoustical data
Processor
Mechanics
Featuring a dual 18" subwoofer pairing in a bass reflex housing, the dB Technologies DVA S30N is designed to pack a muscular, ultra low frequency punch. This subwoofer can be used as an addition to large PAs and as a compliment to mid and high-range units in stacked arrays.
The speakers's birch multiplex housing is covered in black textured lacquer and equipped with eight grips. On the back is a transport dolly that removes easily via quick release pins to keep the wheels from rattling.
Technical Data
Acoustical data
Amplifier
Mechanics
The dB Technologies SIGMA S115 is a 1000 watt 15" / 1.4" active two-way system that is designed to be used as a full-range FOH speaker. The S115 has been engineered to achieve an assertive midrange, prominent top end, and constant directivity at high sound pressure levels.
The integrated digital sound processor allows the final touches to be made to your sound, rounding it out to a warm, natural tone with powerful bass and accurate high frequencies. A variety of signal processing presets are designed to allow you to dial in your sound with minimal fuss.
Specifications
If you have a large selection of full-range speakers, it stands to reason that you should have an equally wide selection of subwoofers. That's why dB Technologies has added this 18-inch S118 subwoofer to the Sigma series. This subwoofer has borrowed a large number of its characteristics from other Sigma speakers.
The S5000 is a medium-sized control surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports.
It features 28 faders over 6 layers, dual 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
Desk layout and workflow is intuitive and clear. Touchscreen usability is excellent, with swipe and pinch-zoom gesture familiarity from mobile phone and tablet technology. The touchscreens are bright too, a notorious problem on digital desk displays at outdoor festivals when the sun actually shines. The build quality is also superb, designed to withstand the rigors of touring.
SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms. The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.
SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
• 2 DMX Channel Modes: 16 or 19 DMX channels
• Gobo scroll mode
• LED DMX 4-Button menu system
• 5-degree beam angle
• Auto X-Y repositioning
• 14 colors + white and Split Colors
• 17 static, fixed gobos + spot
• 8-facet Prism with macros
• Gobo Shake effect
• Independent gobo and color wheels
• Pan: 540-degree
• Tilt: 270-degree
• Pan/Tilt Invert
• Built-In Pan/Tilt Macros
• 16-Bit Pan/Tilt Positioning
• Motorized focus
• Shutter: Pulse effect; random strobe slow to fast
• Mechanical Dimming: 0% - 100%
• Strobe effect
• Frost Filter
• Stepper motors with micro stepping
• Omega Quicklock Brackets included
• DMX: 3-pin XLR In/Out
• Strobe Rate: 0.75-24.5HZ
• DB Rating @ 1Meter: Front: 45; Back: 47; Left: 46; Right: 46; Top: 47
• Light output: 770000 LUX @ 5M, 220000 LUX @ 10M (5-degree beam)
• Powercon In/Out to daisy chain power
• Multi-voltage Operation: 100-240V, 50Hz/60Hz
• Power Cable Length: 1.5M (IEC)
• Lamp: Philips® Platinum 5R 189W discharge, 8,000˚K – 3,000 hr. long life
• Dimensions (LxWxH): 394x325x522mm / 15.5” x 12.75” x 20.5”
• Weight: 19 kg. / 42 lbs
• ETL Approved
The Pixel Storm 12 MKII is an individually pixel mappable batten featuring 12 x 15W quad-colour LEDs. With a 10° x 45° beam angle and smooth colour mixing, along with built-in colour macros, it is superb for wall washing due to its ellipsoidal beam angle. The 4 button LED menu allows selection of the built-in programs, RGBW colour mixing or multiple DMX channel modes. The 3kHz refresh rate and temperature controlled fan speed make this batten also suitable for stage and theatre applications.
- 12 x 15W quad-colour LEDs (RGBW)
- Beam angle: 10° x 45°
- 3,851 Lux @ 2m (full on)
- 3kHz refresh rate
- Pixel mapping capabilities
- DMX channels: 3/4/6/10/48 or 54 selectable
- Static colour, colour mix, colour change, colour fade, sound active and master/slave modes plus built-in programs
- 0 - 100% dimming and variable strobe
- End brackets and central bracket allow for multiple rigging and floor standing applications
- Eyebrow supplied to reduce glare and hide the LEDs when uplighting
- 4 push button menu with LCD display
- PowerCON input/output
- 3-Pin XLR input/output
- 5-Pin XLR input/output
- Temperature controlled fan for whisper quiet operation
STRIKE 4 is an electrifying audience blinder and strobe with four high-power 100 W COB LEDs housed in independently focusable pods. It’s the go-to-choice for high energy automated strobe effects and its smooth 16-bit dimming curve facilitates incandescent-style fades. Its adjustable PWM is ideal in film and studio applications. STRIKE 4 comes standard with basic and advanced control personalities for flexibility in programming, and an easy-to-read OLED display for quick on-board adjustments.
The Atomic 3000 DMX is a powerful and rugged, 3000 W high-impact strobe. The Atomic is dimmable from 0-100%. Flash duration is controllable and for ultimate flexibility and variety of effect, variable adjustment of flash rate (20ms to 2 seconds) and flash intensity is possible. The Atomic 3000 DMX is both intense and intelligent. DMX controllable, it employs a smart, integrated heat control that eliminates the need for cool down time.
Dynamic Effects:
- Variable strobe: 0 - 650 ms (50 Hz supply), or 0 - 530 ms (60 Hz supply)
- Strobe rate: 0 - 25 flashes/second (50 Hz supply), 0 - 30 flashes/second (60 Hz supply)
- Blinder effect: Continuous with auto fade Strobe intensity: Blackout - maximum
- Special effects: Ramp up, ramp down, ramp up-down, random flash, lightning, spikes, blinder, single flash
Control and Programming:
- Control options: DMX, stand-alone, multi-fixture chase (with Detonator remote), MC-1
- DMX channels: 1, 3, and 4 channel modes - Stand-alone control: Via N.O. or N.C. SPST switch
- Stand-alone options: Selectable flash rate or blinder effect
- Setting and addressing: DIP switch
- DMX Compliance: USITT DMX512/1990
- Receiver: RS-485
This professional-caliber haze generator features an easy to read LED function display, with in-built timer, which allows continuous, intermittent or manually-triggered hazing. It features a locking PowerCON mains input socket and is fitted with both 3-pin and 5-pin XLR sockets allowing DMX control with a choice of 1-, 2-, and 4-channel modes. Measuring 20.75” x 15” x 15” / 530 x 380 x 380mm (LxWxH) and weighing in at 70 lbs. / 31 kg, the unit is fitted with heavy-duty handles on either side which make it easy to lift, carry and position the machine.
The Entour Haze Pro is designed for large stages and venues and for outdoor applications where the oil based haze will sit longer in the air.
• Mobile DMX Haze Machine
• Great for stage performances, bands, clubs, bowling centers etc.
• 3 DMX Channel Modes; 1/2/4
• LCD Function Display with built-in remote with Haze Timer, Continuous Hazing & Manual Hazing
• No Warm-up time necessary
• Air Pressure: 101 psi
• Output: 3,000 cubic ft. per min
• External fluid tank: 2.5 Liter
• Fluid Consumption Rate: 15 Hours continuous work / per Liter
• 3-pin & 5-pin DMX In/Out
• Power Consumption: 410W
• PowerCON Input
• Uses Haze/G™ oil based liquid only
• Dimensions (LxWxH): 20.75” x 15” x 15” / 530 x 380 x 380mm
• Weight: 70 lbs. / 31 kg.
Day:
£7,953.22
Weekend:
£15,906.43
Week:
£23,859.65
Start Date:
End Date:
TOTAL £7,953.22